Windows Vista and old fonts

I've come rather late to Windows Vista, but I'm now using it at last. One of the problems I find is that its font installer doesn't recognize my old Type 1 PostScript fonts, which was rather a shock. I paid good money for these fonts once upon a time, and see no reason why I shouldn't go on using them.

I discovered a solution that doesn't involve spending any money. The Vista font installer recognizes Type 1 fonts if you supply them in the form of PFM files. These were not originally supplied with the fonts, but are created automatically by the Windows XP font installer.

So, while I still have a functioning Windows XP system, I'll have to install all my old Type 1 fonts on it, and save all the PFM files for use under Windows Vista. A bit of a hassle, but things could be worse.

I wait to find out whether the Windows 7 font installer will accept PFM files...

Health care: still in the Dark Ages

I was struck by the following extract from The Economist's special report on health care and technology:

A report by the Institute of Medicine estimated that up to 100,000 Americans are killed each year by preventable mishaps such as wrong-side surgery, medication errors and hospital-acquired infections—a larger number than die from breast cancer or AIDS.

Sometimes such errors can be prevented without fancy technology. It helps to write “not this leg” on a patient's left leg before surgery on his right leg.

What a sad comment on the state of modern health care. And in the country that spends the most money on it, too.

Bigger and better tax havens

An article in The Economist (see original article) describes how an Australian researcher named Jason Sharman tried to register anonymous companies and open bank accounts for them in 45 places around the world. He was successful in 17 cases, 13 of which were OECD countries, including the USA and the UK.

In these cases, the bank can't reveal the owner of an account to any inquisitive government, because the bank doesn't know. So these accounts are safer from investigation than those in a traditional tax haven, where personal identification is normally required.

The USA is particularly attractive in this respect because there you can apparently get tax-free interest on your untraceable riches.

I pass on this useful tip to any of you who may be wealthy enough to consider taking advantage of it. However, bear in mind that you shouldn't believe everything you read, even in The Economist. There may be hidden snags.

Read it again, Sam

I'm a habitual rereader of fiction. Now that I have a reasonable stock of books in the house, I'm frankly more likely to reread an old book than to pick up a new one. I have some books that I've reread dozens of times in the course of my life.

For me, it's the same as replaying recorded music. Everyone replays favourite music, but some people seem to read novels only once. Apparently the attitude is that they want to be surprised by the story, and after the first time they're not surprised any more.

I read fiction to enjoy the images, the scenes, the characters. On the whole, I feel more comfortable not being surprised by the story; though in any case I'm unlikely to remember all the details of the plot from one reading to another.

The memory of a book that I've read soon fades. My memory of it is like listening to someone whistling a tune, compared with playing the record; or watching a blurred image of disjointed parts of a film dubbed into another language, compared with watching the DVD in English. Every now and then I want to re-experience the original in high fidelity.

When I think of reading a book, I don't usually want to read just any book; more commonly, I want to reread a particular book, because that's what I'm in the mood for. If I pick up some book I haven't read before, I'm unlikely to be in the mood for it; I may not even like it at all.

Nevertheless, I do read new books every now and then, when I feel willing to experiment. It helps if I've read other books by the same author, because then I know roughly what to expect.

If I feel doubtful about reading a new book, I find a good way to evaluate it is to read the beginning, read the end, and dip into the middle—though I've noticed when doing this that it tends to horrify other people.

Um, don't read anything into the date of this post: it's not intended as April foolery.

What is liberty?

I've been calling myself a libertarian since the early 1980s, but you may not know what that means. Of course you can read about it elsewhere, but here's my personal take on it in case you're interested.

It means, of course, that I'm in favour of liberty; but what is liberty? To me, liberty is what you have when no-one else is using force on you. So I'm in favour of a society in which people don't use force on each other. This is a theoretical ideal: I recognize that such a perfect society doesn't exist and isn't going to exist.

From a moral point of view, I believe it's wrong to use force on inoffensive people (people who don't use force themselves). However, I'm not a pacifist: if someone goes around murdering people, he's an offensive person, he's forfeited his right to liberty, and it's OK to use force on him.

From a political point of view, both left-wing and right-wing politicians believe in using force on inoffensive people to achieve their objectives, so I don't support either wing. In fact, using force on inoffensive people is basically what politicians do, so I'm not a supporter of politicians in general.

I see libertarianism as a moral position, with political implications.

Has science fiction lost its way?

There seems to be a feeling in some quarters that modern sf is not what it was; indeed, I suppose I feel it myself to some extent, although there are still good books being written in the field.

I reckon the main problem is a general loss of optimism about the future. Back in the 1940s and 1950s, the future was seen as a fairly simple place, in which humanity was destined to go out and dominate the galaxy as it had already dominated the Earth. Eric Frank Russell wrote stories in which lone human scouts baffled and outwitted hordes of aliens unfortunate enough to lack human intelligence. These stories were a bit childish, but fun to read; people enjoyed reading them and came back for more.

These days, most people seem to suspect that the future will be complex and threatening, and sf authors struggle diligently to give a convincing sense of just how complex and threatening it will be. This is a worthy effort, but I wonder how many casual readers want to spend their spare time reading about a future that's even more complex and threatening than the present. Some readers doubtless appreciate it, but will sf retain a mass audience this way?

I'm not sure what the solution is to this problem, but in the meantime I see authors and readers (myself included) increasingly turning to alternate-history stories, in which we can read about societies other than our own without needing to venture into the unappealing future.

I hope this is merely a cyclical phenomenon, and that people will become cheerful about the future again in due course.

Nikon's photo editing program

As I have a Nikon camera, it seemed a good idea to check out Nikon's photo editing program, Nikon Capture NX 2, so I downloaded the free 60 days' trial and played around with it a bit.

It seems a decent, competent program at a modest price, though relatively early in its development, compared with programs that have been around for years.

However, if you buy it as your only photo editing program, bear in mind that it concentrates on photographic functions and misses out a lot of more general image editing functions that you would get with Photoshop or even Paint Shop Pro. As someone pointed out elsewhere on the Web, what if you want to write some text on top of the photo?

If you have Photoshop already, I see little point in buying Capture NX 2 as well. As far as I could tell by experiment, Photoshop imports Nikon's NEF files as well as Nikon's own program does, and provides more editing functionality.

The Nikon program offers the unique functionality of U Points, otherwise known as control points, which are a cute way of making local changes to parts of a photo. This could well be of interest to some people, but it's not my style. I feel happy manipulating a photo as a whole, but I don't want to get into messing around with parts of it.

Adobe software and prices

I started buying Adobe fonts in 1990 (I was keen on fonts in those days), but took much longer to buy Adobe programs, because my software at work was provided by the company, and at home I had other software that I was happy with.

However, in 2005 I started working from home and paying for all my own stuff, and at that time I splashed out £940 for the Adobe Creative Suite, reasoning that I needed Acrobat and Photoshop for work, and those two programs would cost about as much as the whole Suite if bought separately.

Shortly afterwards, the Creative Suite 2 was released, and Adobe allowed me a free upgrade to it. (Gold star to Adobe on this point.)

I skipped Creative Suite 3, because I didn't feel a need of it, and Adobe's upgrades are expensive enough to make you stop and think.

When Creative Suite 4 was released, I decided that I still didn't need it, but that I would rather like to have the latest Photoshop, which I use for my photography hobby as well as for work. So I ordered the Photoshop CS4 upgrade, first checking with Adobe's Web site that I was eligible for the upgrade price. It said, if you have Photoshop CS2 (which I had), you are eligible.

I got my Photoshop CS4 upgrade and it refused to install. Enquiries revealed that it will install only as an upgrade to Photoshop bought as a separate product, not to Photoshop bought as part of the Creative Suite; although this is not explained at all on Adobe's Web site.

I tried to send the upgrade back to Amazon UK, from which I'd bought it. Amazon wouldn't accept it because the box had been opened. Of course the box had been opened: I had to open the box to find out that it wouldn't work.

After long and exhausting arguments with two different Adobe customer support people, Adobe eventually agreed to unlock my upgrade (by a special secret procedure) so that I could use it.

Although Adobe as a company seems to mean well in some ways, and its software is competent, I give it demerits on several grounds.

• The software is alarmingly expensive, unless you happen to live in North America, where it's a good deal cheaper. As I don't live in North America, I naturally resent this.
• The documentation is not as good as it should be at that price level.
• If you have the Creative Suite but you want to upgrade only one component of it, Adobe apparently expects you to pay full price for that component, as though you had no previous version. That's crazy. When you upgrade, all you're getting for your money is the difference between the new version and the old. At full price? No thanks, I'd stick with the old version.
• Adobe has this crazy internal policy but doesn't explain it in public. When I pointed that out, did I get any apology? No. Did I get any assurance that the Adobe Web site would be changed to give correct information? No. I was treated as though the situation was my own fault. To give Adobe support minimal credit, however, in the end it caved in and gave me what I paid for. Possibly out of exhaustion and to get rid of me.

There is a lesson here. If you're tempted to buy the Adobe Creative Suite, bear in mind that you'll be locked into upgrading the whole suite for evermore: or else you'll have to pay full price for the latest versions of any individual components. This makes the Creative Suite much less of a bargain than it looks, unless you're confident that you'll always want to upgrade multiple components of it simultaneously. The cost of a Creative Suite upgrade is not small change; check it out in advance.

So far, the only advantages of Photoshop CS4 that I've noticed, compared with Photoshop CS2, are that it seems to start up more quickly and it has a new Vibrance control, which is similar to Saturation but more subtle in effect. I'm sure there are other novelties, but they're things I don't use. So, it was apparently for these small things that I paid £184 and wore myself out arguing with Adobe support. I should have stayed with Photoshop CS2...

Jesus versus Santa

According to a BBC report, a Catholic priest in Novara, Italy, has caused a stir by telling children that Father Christmas doesn't exist.

The priest said he had never intended to hurt anyone, but it was his duty to distinguish the reality of Jesus from the story of Father Christmas which was a fable just like Cinderella or Snow White.

I don't know about you, but I find this really funny. All we need to complete the picture is a department-store Father Christmas teaching children to distinguish his own reality from the story of Jesus Christ, which is a fable just like Cinderella or Snow White.

In a reality contest with no holds barred, I think Father Christmas would have a distinct advantage: "Children, think about it: when did you last get a present from Jesus?"

Sid Meier's Somalia

I was reading a news article about Somalian pirates today when it occurred to me that Somalia, from everyone else's point of view, rather resembles a barbarian settlement in Sid Meier's Civilization game.

However, the barbarians in the game make a nuisance of themselves on land and I haven't noticed them taking to the sea; the Somalians are much more aquatic.

In the game, there's only one way to deal with barbarians: as soon as possible, you march in and wipe them out, with superior technology or superior numbers, or both. Real life tends to be less simple.